PART ONE
In part one, I describe the origin of the name “rudra” veena, its fascinating connection to Lord Shiva, and the different mythological aspects of the veena itself. As you’re watching these videos, reference my diagram of the rudra veena.
PART TWO
In part two, I contrast the traditional and Dagar veena styles, demonstrating how they are played and the pros and cons of each style. Then I describe my own modification of the Dagar veena and my reasoning for these changes.
PART THREE
In part three, I describe the process of creating the dandi, the central hollow piece upon which the rest of the veena is constructed.
PART FOUR
In part four, I explain the crucial purpose of the “peacock” and “sherab”, the ornate end pieces on either side of the dandi.
PART FIVE
In the final video of this series, I talk about the “tumbas”, or the resonating gourds that give the veena its impressive size and imposing presence. But these tumbas serve a crucial function for the sound, volume, and playability of the instrument.